From the moment the house lights dimmed at Mickey’s Black Box, it was clear the night wasn’t going to be just another rock show — it was going to be a full-blown spiritual revival, Dorothy style.
Opening the night was Canadian country-rocker Cory Marks, who brought a gritty, southern swagger to the stage that had the early crowd on their feet. Mixing outlaw country with hard rock energy, Marks blazed through tracks “Blame It on the Double” and “Devil’s Grin” with charisma and a booming voice that held its own. Midway through the set, he surprised the room with an unexpected — and sincerely delivered — cover of Creed’s “My Sacrifice,” turning what could’ve been a novelty into a genuine crowd-pleaser, with phone lights raised and voices joining in. It was clear he wasn’t just warming the stage — he was staking his claim, and Lititz responded with plenty of boots stomping and fists raised.
But the real transformation began the moment Dorothy stepped into the spotlight.
Kicking off her set with the commanding presence of a seasoned rock preacher, Dorothy opened with “Down To The Bottom”, setting the tone with that signature blend of soulful power and raw grit. Her voice was, as always, nothing short of electric — bending blues, gospel, and classic rock into something entirely her own.
The band was tight, the sound was loud but clean, and the setlist was built to elevate. Highlights included a thunderous version of “Raise Hell” and “Whiskey Fever”, which turned the room into a sea of swaying bodies and closed eyes.
Visually, the stage was simple but effective — moody lighting and a vibe that made the venue feel like a backroom chapel for rock salvation. The crowd, a mix of longtime fans and first-timers, fed off every beat. As the closing notes of “Tombstone Town” echoed through the room, it felt like the credits rolling on a film you’re not ready to leave.
‘The Redemption Tour’ lives up to its name. Dorothy isn’t just performing — she’s testifying. And at Mickey’s Black Box, we were more than just an audience. We were part of the sermon.
Dorothy Tour
Dorothy
Cory Marks
