Photo Credit: T. Cody Strubel

Boardwalk Rock’s Day Two: A Debut Encore That Raised the Bar

1 min read

If Day One erased any doubt that Boardwalk Rock was destined for greatness, Day Two detonated it entirely. By noon, Tim Montana was already strapping on his Telecaster and laying down gritty, country-tinged rock across the Bolt Stage—proof that Boardwalk Rock’s appetite for diversity runs just as deep as its love for leather and distortion. But when Saliva roared into “Click Click Boom,” the pit around the Thunder Stage hit critical mass, sending fists skyward and setting the bar for the afternoon.

Fuel followed with “Shimmer” and “Hemorrhage,” proving that radio staples still pack a punch when blasted over seaside waves. Lit channeled late-’90s nostalgia on the Bolt Stage, with “My Own Worst Enemy” sparking an impromptu karaoke session beneath the ferris wheel. Rising star Dorothy made am appearance—backed by shadowy lighting and searing guitar solos—and reminded everyone why her powerhouse vocals have fans buzzing long after her set ends.

As the sun tipped toward cocktail hour, the festival leaned into its ’80s and ’90s roots: Black Stone Cherry brought their Southern swagger, Crossfade sanded the edges with brooding riffs, and Night Ranger delivered polished guitar duels that had Gen Xers trading air-guitar tips. Candlebox channeled Seattle’s grunge heyday, then Bret Michaels took the Lightning Stage for a stripped-down, acoustic-infused trip through Poison’s greatest hits—complete with sing-along choruses that echoed off the boardwalk.

But the real seismic shift came when Alice Cooper slithered onto the Thunder Stage. Between guillotines, yard-long snakes, and “School’s Out” anthems, Cooper’s horror-show theatrics were as sharp as his stage knives. Three Days Grace kept the momentum grinding with the alt-metal anthem “Animal I Have Become,” setting the stage for Shinedown to unleash arena-ready singalongs. Brent Smith coaxed every soul into a chorus of “Sound of Madness,” then ceded the spotlight to festival closer Nickelback, whose sing-along juggernauts “Photograph” and “How You Remind Me” unified every generation in one final, coastline-shaking roar.

As the final chords drifted over the Atlantic, Boardwalk Rock’s Day Two verdict was clear: this debut festival isn’t just a hometown party—it’s a full-blown rock crucible. From Tim Montana’s roots-tinged opener to Nickelback’s anthemic finale, every chapter of rock history got its moment in the sun. If Year One is already this flawless, consider your calendar marked: Boardwalk Rock Year Two is one wave you won’t want to miss.

T. Cody Strubel is the founder of Rock Documented, a platform he established in September 2015. As the Lead Photographer, Writer, and Editor, Cody has been instrumental in shaping the site's content and visual aesthetic. His exceptional work in music photography was recognized by the Central Pennsylvania Music Hall of Fame, where he was voted "Best Photography" at their inaugural event. Cody's equipment of choice includes two Nikon Z8s, a NIKKOR Z 14-24mm f/2.8 S, a NIKKOR Z 24-70mm f/2.8 S, a NIKKOR Z 70-200/2.8 S VR, a NIKKOR Z 180-600mm f/5.6-6.3 VR, and a Hold Fast Money Maker Shoulder Strap. His passion for music and photography, combined with his commitment to promoting local talent, makes him a vital voice in the Central Pennsylvania music scene.

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Boardwalk Rock’s Day One: A First-Year Festival That Played Like a Pro

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