Photo Credit: T. Cody Strubel

Godsmack’s Best Of Times World Tour In Allentown With Nothing More & Flat Black

2 mins read

Godsmack’s Best of Times World Tour rolled into Allentown’s PPL Center on October 25th, delivering a high-octane night of hard rock that proved why the Massachusetts quartet remains a dominant force in the genre after over two decades.

The evening kicked off with Flat Black, a rising act that warmed up the crowd with their gritty, no-frills approach to modern hard rock. Their set, while brief, showcased promising talent and set the stage for what was to come. A standout moment was their performance of “A Bit of Lightning,” a track that slows down the tempo in exchange for more emotion. The song’s lyrics speak to the struggle of persevering through darkness and depression, with the chorus “A little bit of lightning to help me through the dark” striking a chord with the audience. Jason Hook’s searing guitar solo on this track lingered long after the song ended, demonstrating the band’s ability to blend emotional depth with technical prowess.

Nothing More followed, elevating the energy with their unique blend of progressive metal and alternative rock. The San Antonio quartet wasted no time in showcasing why they’ve become one of the most talked-about acts in modern rock, launching into their set with the frenetic energy of “Carnal.”

Frontman Jonny Hawkins, known for his dynamic stage presence, immediately commanded attention. Shirtless and barefoot, he prowled the stage like a caged animal, his raw intensity matching the band’s intricate soundscapes. Hawkins’ vocal range was on full display throughout the set, effortlessly transitioning from guttural screams to soaring melodies, particularly impressive during their performance of “Go to War.”

One of the highlights of Nothing More’s set was their closing performance of “This is the Time (Ballast),” which had the crowd singing along at full volume. The song’s message of self-empowerment resonated strongly with the audience, creating a powerful moment of unity in the arena.

As the lights dimmed for the main event, the anticipation in the arena was palpable. Godsmack exploded onto the stage with “Surrender,” the lead single from their latest album Lighting Up the Sky. Sully Erna’s commanding presence immediately captivated the audience, his powerful vocals cutting through the wall of sound created by Tony Rombola’s razor-sharp guitar riffs, Robbie Merrill’s thunderous bass lines, and Shannon Larkin’s relentless drumming.

The setlist was a well-crafted journey through the band’s extensive catalog, balancing new material with fan favorites. The tracks “Voodoo” and “Awake” from their earlier albums sparked nostalgic singalongs, while the newer offering “When Legends Rise” demonstrated the band’s continued evolution and relevance in the current hard rock landscape.

One of the night’s highlights was the now-legendary drum battle between Erna and Larkin. This extended percussion showcase not only displayed their technical skills but also their genuine camaraderie, a testament to the band’s longevity and chemistry.

Godsmack’s stage production was impressively dynamic, with a light show that perfectly complemented the music’s intensity. The use of pyrotechnics during “1000hp” added an extra layer of excitement to an already electrifying performance.

The encore, featuring the classic “I Stand Alone,” was a fitting conclusion to a night that celebrated both Godsmack’s storied past and promising future. As the final notes rang out, it was evident that the band had left everything on the stage, delivering a performance that will be remembered long after the tour buses leave town.

In an era where many rock acts are struggling to fill arenas, Godsmack’s ability to deliver sold-out, high-energy shows is a testament to their ongoing relevance and the loyalty of their fanbase. This tour stop wasn’t just a concert; it was a celebration of hard rock’s past, present, and future, with Godsmack firmly at the helm.

Godsmack Tour

Godsmack

Nothing More

Flat Black

T. Cody Strubel is the founder of Rock Documented, a platform he established in September 2015. As the Lead Photographer, Writer, and Editor, Cody has been instrumental in shaping the site's content and visual aesthetic. His exceptional work in music photography was recognized by the Central Pennsylvania Music Hall of Fame, where he was voted "Best Photography" at their inaugural event. Cody's equipment of choice includes two Nikon Z8s, a Nikon 22-70mm 2.8 VR, a Nikon 70-200mm 2.8 VRII, and a Black Rapid Shoulder Strap. His passion for music and photography, combined with his commitment to promoting local talent, makes him a vital voice in the Central Pennsylvania music scene.

Leave a Reply

Previous Story

Disturbed Ignites Fan Frenzy with Cryptic Countdown to The Sickness’ 25th Anniversary

Next Story

The Struts End Their Pretty Vicious Tour At Harrisburg At XL Live

GoUp