Static-X Expanded Their Vocal Approach on ‘Shadow Zone’

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Static-X released Shadow Zone on October 7, 2003, through Warner Bros. Records. Their third studio album placed greater emphasis on Wayne Static’s singing, expanding a vocal approach associated with the band’s clipped, aggressive rhythms. Lead single “The Only” put that change at the center of the album’s introduction.

For Static, melody meant revisiting something he had practiced before Static-X. “Back in the Eighties, I used to write ballads on my acoustic guitar,” he told Rolling Stone in a March 2003 interview reported by Blabbermouth. After several years of intense screaming, he wanted to explore what else his voice could do. He described the developing material as angry but more melodic, connecting the change to his own musical background.

The writing process was changing with him. Guitarist Tripp Eisen became a collaborator who could supply musical ideas for Static to build vocals around, easing the burden of developing both sides himself. Early work took place on tour, with the musicians jamming on the first songs in March 2002. By the following year, Static was assembling and demoing material at his home in Burbank, California. The album developed over more than a year, allowing the band to try different combinations of riffs, rhythms and vocal ideas before completing the recording.

Eisen’s account of those sessions emphasized the contributions of bassist Tony Campos as well. In an August 2003 online statement, he described Campos suggesting bass grooves and vocal ideas that could change a song’s direction, while Static handled programming and arrangement alongside his lyrics. The collaboration involved several parts of a track developing together. Eisen supplied another source of material, but the musicians continued reshaping songs through their individual contributions.

Producer Josh Abraham oversaw the album, with Ulrich Wild handling the mix. A change behind the drum kit added another adjustment: founding drummer Ken Jay had departed, and Josh Freese played drums during the sessions. Although Nick Oshiro became the band’s new drummer during the album’s rollout, the performances on Shadow Zone were Freese’s. The distinction places the recording between two versions of Static-X’s touring lineup.

Finding the musician who would take those songs onstage required a separate search. Static-X auditioned more than 30 drummers before announcing Oshiro’s recruitment in June 2003. Static explained in the band’s announcement that the job required someone who could handle the older material and understand the grooves of the new songs. Eisen recalled Oshiro immediately connecting with “Bled for Days” and “Love Dump” during his audition. With the album completed, the band moved into rehearsals for dates with Staind.

“The Only” gave the record a single and an accompanying performance video. Directed by P. R. Brown, the clip initially confines the musicians inside a small room, with the camera circling them as they play toward its walls. Those walls eventually rise to reveal an audience surrounding the band, turning the enclosed performance into a show.

Shadow Zone debuted at No. 20 on the Billboard 200. “The Only” also became part of the licensed soundtrack to Need for Speed: Underground, the racing game released in November 2003.

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